Marcha Fúnebre (arr. Luiz C. Teixeira) by Guilherme Carvalho Sheet Music for Piano Solo at Sheet Music Direct
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Marcha Fúnebre (arr. Luiz C. Teixeira) Digital Sheet Music
Cover Art for "Marcha Fúnebre (arr. Luiz C. Teixeira)" by Guilherme Carvalho PASS

Marcha Fúnebre (arr. Luiz C. Teixeira)
by Guilherme Carvalho Piano Solo - Digital Sheet Music

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Product Description

Chiquinha Gonzagas Marcha Fúnebre ("Funeral March") is a remarkable and emotionally rich piece that showcases a different, more somber dimension of her compositional voice. Known primarily for her vibrant polkas, tangos, and early choros, this funeral march stands out as a deeply expressive work that highlights her versatility, sensitivity, and command of Romantic idioms.


Overview of Marcha Fúnebre
Genre: Funeral March (Marcha Fúnebre), a slow, solemn piece typically in minor key.
Context: Likely written for ceremonial or commemorative purposes. Given Gonzagas involvement in patriotic, religious, and theatrical circles, the march may have had both public and personal resonances.

Musical Characteristics
1. Key & Tonal Language
Typically in a minor key (such as C minor or E minor), which sets the tone for grief, mourning, and dignity.
Utilizes Romantic harmonies, including diminished chords, chromatic passing tones, and suspensions to heighten emotional tension.
Cadences often linger or descend chromatically, symbolizing resignation or lamentation.

2. Melody
The melodic line is dignified and lyrical, often using stepwise motion with occasional expressive leaps.
Phrases may mimic a funeral procession: slow, deliberate, with a cantabile (singing) quality.
Occasional decorative turns or grace notes provide a touch of elegance, which is characteristic of Gonzagas salon-influenced style.

3. Rhythm and Meter
Written in simple duple meter (2/4 or 4/4), with a heavy, marching pulse, mimicking the measured tread of a funeral procession.
The bass line frequently uses dotted rhythms or steady repeated notes to simulate a slow drumbeat or the tolling of a bell.
Syncopations are rare in this genre but may appear subtly to intensify inner emotion.

4. Form and Structure
Often follows an ABA or AABA structure, typical of Romantic short forms.
The A section establishes the somber mood, while the B section might offer a more lyrical or even hopeful theme (in the relative major or parallel key), before returning to the tragic main theme.
This alternation of dark and slightly lightened tones reflects both mourning and memory.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.