Product Description
If I Could was penned by Trey while distressed by a blue funk being experienced by his good friend (and famous First Fan), Amy Skelton. Frustrated by her sadness over a recent breakup and feeling helpless, he wrote a song to cheer her up. In it he takes them both away from worldly concerns and indulges his own desire to escape the physical constraints of gravity by running over oceans, floating through the clouds, and moving effortlessly through time and space. While the lyrics were initially written from Trey's voice alone, the use of female vocals in the second verse on the Hoist version gives the song a more romantic call and response quality, perhaps reflecting a desire to escape together from the dull realities of workaday life and day-to-day pain. The result is a journey of childlike innocence, joy, and empathy. Ultimately it functions for the listener as a beautiful love song platonic, or romantic.
The most popular versions of virtually every Phish song are to be found in live performances. In contrast, the Hoist version of If I Could featuring the renowned bluegrass fiddler and singer Alison Krauss and strings by The Richard Greene Fourteen is widely considered one of the band's most profoundly beautiful offerings of the song.
In concert, If I Could provided opportunities for emotional expression not often afforded by Phishs repertoire, especially as it existed in the mid-90s. Fans of the song will certainly want to visit the version from 5/3/94 in Antioch, TN, when Alison Krauss joined the band for a reprise of their studio collaboration. The performance on 7/1/95 at Great Woods featured a partial restoration of the original solo guitar introduction. In heavy rotation from its 4/4/94 debut through the end of 1995, "If I Could" became a rarity thereafter, with fewer than a dozen appearances over the next twenty years.
This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.