Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano (arr. Colin Kirkpatrick) by J S Bach-Gounod Sheet Music for Euphonium and Piano at Sheet Music Direct
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Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano (arr. Colin Kirkpatrick) Digital Sheet Music
Cover Art for "Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano (arr. Colin Kirkpatrick)" by J S Bach-Gounod PASS

Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano (arr. Colin Kirkpatrick)
by J S Bach-Gounod Euphonium and Piano - Digital Sheet Music

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This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line.

In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the combined piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounods original arrangement transposed Bachs keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.

The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a harmonic weakness (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.

Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.